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CDs, DVDs not so immortal [CNN]

CDs, DVDs not so immortal [CNN]

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FACT BOX
"CD rot" Dos:
1. Handle discs by the outer edge or the center hole.
2.Use a felt-tip permanent marker to mark the label side of a CD.
3. Keep discs clean. Wipe with cotton fabric in a straight line from the center of the disc toward the outer edge.
4. Return discs to their plastic cases immediately after use.
5. Store discs upright (book style) in their cases.
6. Store discs in a cool, dry, dark place with clean air.
7. Open a recordable disc package only when you are ready to record.
8. Check the disc surface before recording.
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(AP) -- Dan Koster was unpacking some of his more than 2,000 CDs after a move when he noticed something strange. Some of the discs, which he always took good care of, wouldn't play properly.

Koster, a Web and graphic designer for Queens University of Charlotte, North Carolina, took one that was skipping pretty badly and held it up to the light.

"I was kind of shocked to see a constellation of pinpricks, little points where the light was coming through the aluminum layer," he says.

His collection was suffering from "CD rot," a gradual deterioration of the data-carrying layer. It's not known for sure how common the blight is, but it's just one of a number of reasons that optical discs, including DVDs, may be a lot less long-lived than first thought.

"We were all told that CDs were well-nigh indestructible when they were introduced in the mid '80s," Koster says. "Companies used that in part to justify the higher price of CDs as well."

He went through his collection and found that 15 percent to 20 percent of the discs, most of which were produced in the '80s, were "rotted" to some extent.

The rotting can be due to poor manufacturing, according to Jerry Hartke, who runs Media Sciences Inc., a Marlborough, Massachusetts, laboratory that tests CDs.

The aluminum layer that reflects the light of the player's laser is separated from the CD label by a thin layer of lacquer. If the manufacturer applied the lacquer improperly, air can penetrate to oxidize the aluminum, eating it up much like iron rusts in air.

But in Hartke's view, it's more common that discs are rendered unreadable by poor handling by the owner.

"If people treat these discs rather harshly, or stack them, or allow them to rub against each other, this very fragile protective layer can be disturbed, allowing the atmosphere to interact with that aluminum," he says.

Part of the problem is that most people believe that it's the clear underside of the CD that is fragile, when in fact it's the side with the label. Scratches on the underside have to be fairly deep to cause skipping, while scratches on the top can easily penetrate to the aluminum layer. Even the pressure of a pen on the label side can dent the aluminum, rendering the CD unreadable.

Koster has taken to copying his CDs on his computer to extend the life of the recordings. Unfortunately, it's not easy to figure out how long those recordable CDs will work.

Fred Byers, an information technology specialist at the National Institute of Standards and Technology, has looked at writeable CDs on behalf of government agencies, including the Library of Congress, that need to know how long their discs will last.

Manufacturers cite lifespans up to 100 years, but without a standardized test, it's very hard to evaluate their claims, Byers says. The worst part is that manufacturers frequently change the materials and manufacturing methods without notifying users.

"When you go to a store and buy a DVD-R, and this goes for CD-R as well, you really don't know what you're getting," he says. "If you buy a particular brand of disc, and then get the same disc and brand six months later, it can be very different."

This renders the frequently heard advice to buy name-brand discs for maximum longevity fairly moot, he says.

DVDs are a bit tougher than CDs in the sense that the data layer (or layers -- some discs have two) is sandwiched in the middle of the disc between two layers of plastic. But this structure causes problems of its own, especially in early DVDs. The glue that holds the layers together can lose its grip, making the disc unreadable at least in parts.

Users that bend a DVD to remove it from a hard-gripping case are practically begging for this problem, because flexing the disc puts strain on the glue.

Rewriteable CDs and DVDs, as opposed to write-once discs, should not be used for long-term storage because they contain a heat-sensitive layer that decays much faster than the metal layers of other discs.

For maximum longevity, discs should be stored vertically and only be handled by the edges. Don't stick labels on them, and in the case of write-once CDs, don't write on them with anything but soft water-based or alcohol-based markers.

Also, like wine, discs should be stored in a cool, dry place. Koster's friend Mark Irons, of Corvallis, Ore., stored his CD collection in a cabin heated by a wood-burning stove. The temperature would range between 40 degrees and 70 degrees in the space of a few hours. Now, the data layer of some of his CDs looks as if it's being eaten from the outside.

Irons is still pretty happy with CD technology, since it beats vinyl LPs and tape for longevity. Now that he's moved his discs to an apartment with a more stable temperature, he's noticed that the decay has slowed.

"I'm hoping they'll hold out till that next medium gets popular, and everyone gets to buy everything over again," he says.

Van Helsing

Van Helsing

Pues eso, que he tenido un pase privado esta mañana para ver Van Helsing, es un poco larga, pero entretenida y laarga. :-)

Van Helsing 8/10

60 horas para atacar un sistema de protección y 6.000 euros de premio

El presidente de la Generalitat de Cataluña, Pasqual Maragall, inaugura el próximo lunes el congreso IGC/INET 2004 , el mayor evento tecnológico del año.

Jueves, 6 mayo 2004

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La ceremonia inaugural se celebrará a las 17:00 y contará también con la asistencia del presidente del Internet Global Congress, Antoni Massanell, y la presidenta de INET, Lynn St. Amour.
El acto finalizará con una sesión plenaria a cargo de tres especialistas en tecnología de gran prestigio: Vinton Cerf, uno de los “padres” de Internet y Premio Príncipe de Asturias 2002, William McDonough, experto en innovación nombrado “héroe para el planeta” por la revista Time y premiado por la Casa Blanca, y Joan Majó, director de la Corporació Catalana de Ràdio i Televisió y presidente del European Institute for Media de Düsseldorf.

Otros “gurús” internacionales que intervendrán en las diversas sesiones del congreso serán Robert Kahn, coautor junto con Vinton Cerf del protocolo TCP/IP y también Premio Príncipe de Asturias; Joe Trippi, director de campaña de Howard Dean, ex candidato demócrata a la Casa Blanca; Steve Bellovin, un “histórico” de la investigación en redes y seguridad informática de AT&T; Saskia Sassen, socióloga de la Universidad de Chicago considerada como una de las máximas autoridades mundiales sobre globalización y Sociedad de la Información y altos directivos de empresas como Hewlett Packard, Nokia, Canarie Inc., IBM y Microsoft.

Del peer to peer a la adicción a Internet

Los contenidos de las conferencias están divididos en cinco ámbitos temáticos que tratarán desde la mejora de la gestión empresarial gracias a las nuevas tecnologías hasta las cuestiones más técnicas, como la transmisión de vídeo y audio por IP, el Peer to Peer, la expansión del WI-FI y del PLC o el debate entre el software libre y el propietario.
También se analizarán diversos fenómenos de gran consumo que se están dando en la industria digital, como el negocio de los contenidos para móviles o los videojuegos, y temas de sociedad, política y cultura como el DNI digital o el e-government. De hecho, representantes del ejecutivo vasco, del catalán y de nueve gobiernos locales presentarán y debatirán sus proyectos para acercar la polítca a los ciudadanos.

Una quinta área, denominada “Gestionando Internet”, estará integrada por un conjunto de reflexiones sobre la actualidad de Internet, como el periodismo on line, la polémica sobre los problemas de adicción a la Red o el uso de la tecnología en las prisiones.

Concurso de seguridad en Internet

Paralelamente a su desarrollo, IGC/INET 2004 acoge toda una serie de actividades e iniciativas relacionadas con la tecnología y la “cultura” digital. La más novedosa es la convocatoria del primer concurso de seguridad en Internet en colaboración con Xifra Networks: la empresa, especializada en protección de sistemas informáticos, publicará en una página web (secreta, de momento) un fichero protegido por su nuevo firewall de última generación, el Surenet XN-3000.
El concurso arrancará el martes 11 de mayo, justo después de la sesión sobre recursos on line de protección. Un representante de Xifra Networks anunciará la dirección web donde se encuentra el fichero; a partir de entonces, los participantes dispondrán de 60 horas (hasta las 19 h. del jueves) para acceder a él y comunicárselo al Notario de Barcelona. El premio asciende a 6.000 euros y se entregará durante la cena IGC el jueves 13.

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Se busca al creador de 'Sasser'

Expertos de seguridad de todo el mundo han empezado ya a buscar en la red posibles pistas que les lleven hasta el creador del virus 'Sasser', aparecido el pasado fin de semana y que amenaza con infectar millones de ordenadores. Microsoft ha dicho que todavía no ha decidido si ofrecerá una recompensa como hizo en el caso de Blaster y’MyDoom’.

Miércoles, 5 mayo 2004

-AGENCIAS-

La posibilidad de que el gigante del software ofrezca dinero a cambio de información que lleve hasta el responsable del virus no es descabellada. 'Sasser' ataca exclusivamente las máquinas que han instalado los últimos sistemas operativos de Microsoft, que en los últimos seis meses ofreció 250.000 dólares a cambio de pistas sobre los creadores de 'MyDoom' y 'Blaster'.
Microsoft ha confirmado que está colaborando con las autoridades estadounidenses en las investigaciones. "Están analizando con métodos forenses el código maligno para ayudar a identificar y llevar ante la justicia al responsable", ha dicho un portavoz de la compañía.

Pese a que algunas fuerzas de seguridad han señalado que tras los últimos virus aparecidos en la red podrían estar redes criminales del este de Europa, los expertos en seguridad informática creen que los motivos y la identidad de los autores de 'Sasser' son bien distintas.

Una de las teorías afirma que el creador de este gusano forma parte de un grupo ruso conocido como 'Skynet anti-virus group', que estaría también detrás de la creación del dañino Netsky. De hecho, la última versión de este código incluía un mensaje reclamando la autoría de 'Sasser'.

Los analistas temen que con estos virus sus creadores estén únicamente reuniendo un ejército de 'ordenadores zombi', que podrían utilizar más adelante en ataques que pocos sistemas serían capaces de resistir.

Las cinco del viernes jueves 6 de mayo , 2004

1) ¿Un lujo del que no puedas prescindir?

Mi portatil, mi cama, mi ps2 ?

2) ¿Algo que nunca falta en tu armario?

Camisetas y bermudas.

3) ¿El SMS o mensaje más sorprendente que has recibido?

Pues no se, alguno de alguna ex, que ni me acordaba.

4) ¿Qué es lo más dificil que has hecho?

Reconocer que estaba equivocado, o decirle a alquien que le quiero.

5) ¿Como te describirías a ti mismo?

Pues abierto, inteligente y cinefilo.

http://lascincodelviernes.blogspot.com/

Columna 67 : Cazavampiros para todos..

Hombres lobo, Vampiros, sus novias y el mismísimo Drácula, todos acompañados por un aventurero llamado Van Helsing (2004) acaparan toda la información en los días previos al estreno, pero la espera ha terminado. Con Hugh Jackman, Kate Beckinsale y nuestra Elena Anaya (Lucía y el sexo, 2001) la diversión está garantizada. Hay más estrenos, pero eso es lo menos importante en esta ocasión. Hemos visto muchas películas de hombres lobo, cazadores de vampiros, pero desde Underworld (2003) y con la llegada finalmente de Van Helsing a nuestras carteleras, se cierra el círculo. A los que les gustó La Momia (1999) y El regreso de la momia (2001) o El rey escorpión (2002), les gustará este último trabajo de Stephen Sommers. Esta adaptación a la gran pantalla del personaje de Stoker, con una mezcla de hombres lobo, Frankestein, Drácula utiliza la infalible formula: héroe y heroína luchan por el bien, entretienen a todos y llenan las salas. En un estreno mundial, sólo a días del gran estreno previo al verano de Troya. La clave: haber mantenido en USA el PG-13 ( todos los públicos) que algunas producciones no consiguen últimamente y el excelente trabajo del equipo encargado de los efectos especiales. El estreno nacional, después de tener todas las semanas alguna película española en cartel vuelve a las andadas, con Hector (2004) de Gracia Querejeta, una historia de sufrimiento sobre la adolescencia y los cambios que sufre un Héctor, de 16 años al perder a su madre y tener que cambiar de vida, al irse a vivir con su tía y los problemas que la repentina vuelta de su desaparecido padre, que quiere se vaya con él. Un drama más bien digno de cualquier tarde de televisión que de cine, pero se ve dónde hay dinero, la productora de Querejeta manda. Sólo para incondicionales del cine español. Y cómo viene siendo ley, no hay dos sin tres, El Príncipe y Yo (2004) con Julia Stiles y Luke Mably, pues una historia de amor, ni más ni menos. Paige Morgan tiene su futuro perfectamente planeado: trabajar duro para conseguir ser una doctora en medicina que viaja por todo el mundo ayudando a los más desfavorecidos, pero se encuentra con el playboy y el enamoramiento es inmediato. Si no habíamos tenido una buena ración de Drew Barrymore, ahora nos toca Julia Stiles, prepararos que en los próximos meses llega Mandy Moore, las chicas al poder. Y finalmente llega Yo Puta (2004) una especie de documental con toques de humor, sobre la prostitución, muy minimalista, más para festivales que para una cartelera comercial. El que quiera ir al cine en las próximas semanas, no debería dudar, Van Helsing; la semana que viene Troya y recordad que ya podéis ir comprando la entrada para no quedaros sin sitio. Nos vemos en Troya.

Convocan en Francia una huelga de SMSs para rebajar su precio

Varias páginas web y blogs galos han convocado para el próximo domingo 9 de mayo una jornada libre de SMS, para protestar contra lo que consideran precios abusivos por este servicio.

Jueves, 6 mayo 2004
MIKE AMIGOT, IBLNEWS

Esta convocatoria de huelga de consumo es debida a que el coste para las tres operadoras galas de un único SMS es de 0.02 euros. Sin embargo, el precio de venta al público acordado por Bouygues Telecom, Orange y SFR es de 0.15 euros.

Desde el blog de Tirma

Mi amiga desde mis años de Afs, Tirma que anda por El Salvador, nos brida esta foto..

An angry man, again: Moore says Disney tried to kill his film

An angry man, again: Moore says Disney tried to kill his film

06 May 2004

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Michael Moore, the establishment-bashing film-maker, accused the Walt Disney Company of political censorship yesterday because it is refusing to distribute his latest documentary which attacks the Bush administration's handling of national security since 11 September.



Controversy over the film, entitled Fahrenheit 911, erupted on the front page of The New York Times just days before Mr Moore is due to take the film to the Cannes Film Festival for its world premiere.

In an open letter to his supporters, Mr Moore accused Disney of trying to kill the film, which is being produced by the Disney subsidiary Miramax, because the company was worried about its business interests in Florida and did not want to offend Governor Jeb Bush, the President's brother.

"I would have hoped by now that I would be able to put my work out to the public without having to experience the profound censorship obstacles I often seem to encounter," he wrote. "For nearly a year, this struggle has been a lesson in just how difficult it is in this country to create a piece of art that might upset those in charge." Disney officials appeared to be caught off guard by this onslaught and denied that the company's decision was motivated by political interests in Florida. They also pointed out that the company had made clear a year ago that it wanted no involvement with Fahrenheit 911, which was picked up by Miramax against the wishes of its corporate parent.



Both The New York Times and Variety, the entertainment industry trade paper of record, suggested the flap over Mr Moore's film could drive a further wedge between Michael Eisner, the Disney chairman, and the Weinstein brothers who run Miramax. The Weinsteins and Mr Eisner have been at loggerheads for some time, and speculation is rife in Hollywood that Miramax may prefer to find a new corporate sponsor when its contract with Disney comes up for renewal later this year.

Matthew Hiltzik, a Miramax spokesman, remained guarded on these issues, saying only: "We're discussing the issue with Disney. We're looking at all of our options and look forward to resolving this amicably."

The flap gave rise to two competing interpretations yesterday. One, that Mr Moore is indeed a victim of an attempted corporate muzzling, and the other that he is deliberately creating a controversy where little or none exists to generate publicity for the film and trigger a bidding war for the US distribution rights, which have yet to be settled.

Either way, the documentary-maker has once again put himself front and centre of a political row likely to inflame partisan passions on all sides. In 2001, he fought with his publishers, Harper Collins, over the publication of his anti-Bush book Stupid White Men, which Harper Collins felt was politically insensitive in the immediate wake of 11 September. The book was delayed but eventually released in its original form, becoming an overnight bestseller.

Last year, Mr Moore cried censorship again after his unabashedly political speech at the Oscars - he called Mr Bush a "fictitious" president who had just started the Iraq invasion for "fictitious reasons" - was greeted with jeers and boos.

His film about gun violence, Bowling for Columbine, had just picked up the Academy Award for Best Documentary and went on to gross $22m (£12m) in North America alone, from an original budget of about $3m. Fahrenheit 911 was conceived as a provocative project from the outset. It promises to blow the cover on the cosy connections between the Bush family and the Saudi royal family and show how the White House has only exposed Americans to greater danger, instead of protecting them, since the suicide attacks on the World Trade Centre and Pentagon two and a half years ago.

Mel Gibson's production company, Icon, was originally involved but dropped out this time last year. Miramax then decided to pick up the $6m production cost on its own. Despite the near-certainty of making a profit on the venture, this was done against the express opposition of Mr Eisner.

"Michael Eisner asked me not to sell this movie to Harvey Weinstein; that doesn't mean I listened to him," Mr Moore's agent, Ari Emanuel, was quoted saying in The New York Times. "He definitely indicated there were tax incentives he was getting for the Disney corporation [in Florida] and that's why he didn't want me to sell it to Miramax. He didn't want a Disney company involved." Whether or not Florida was a factor, Disney certainly came under pressure from other quarters. Various conservative organisations threatened to boycott Disney, blasting the company, as one right-wing internet activist put it, "for involving itself with this vile director and his offensive abuse of a national tragedy that is considered sacred to most Americans".

At the same time, Miramax was bombarded with messages from the other side of the political fence praising the company for its support of Mr Moore.

Miramax would clearly like Disney to distribute the film in the United States, because it avoids the need to share profits with another company. The company appears to have held out some hope that it could talk Mr Eisner into it once the film was completed. There is no indication, however, that it was counting on this, or that Mr Eisner has somehow reneged on an earlier promise.

"The only thing that's new here is in Disney's reaffirmation of their previously stated position," one well-placed source said on condition of anonymity. "Miramax never said it was distributing the film, even if people assumed it would find a way." The source also denied that Fahrenheit 911 was causing any significant personal friction between Mr Eisner and Mr Weinstein, pointing out that they could hardly be getting along worse as it is. "There's plenty of other issues to have catfights over," he said.

Mr Moore was not immediately available to answer the charge that he was creating controversy for promotional purposes. He is still at work finalising the print he will take to Cannes.

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http://news.independent.co.uk/world/americas/story.jsp?story=518618

mikerowesoft.com vs. Microsoft ( lo ultimo)

mikerowesoft.com vs. Microsoft ( lo ultimo)

Microsoft started a law suit against a 17 year old boy just because a domain owned by him has some likeness with microsoft.com

The boy gave the domain to Microsoft and got a Xbox in exchange. Now he sells the documents about the law suit on ebay :)

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This is your chance to own a piece of Internet history. This is the book shown on TV, Internet, magazines and talked about on the radio and seen by millions of people world-wide. I am selling the WIPO book with the 25-page letter I received from Microsoft's lawyers on January 14/2004. I have two copies of these and I will be keeping one for my own personal memoirs. This inch-thick book contains copies of web pages, registrations, trade marks, other WIPO cases, emails between me and Microsoft's lawyers and much more. There are 27 annexes filled with information. This package also comes with the 25-page complaint transmittal coversheet that was sent with the inch-thick book. In this letter you can find policies, rules, supplemental rules, model responses, copy of complaint and much more. Take advantage of this once in a lifetime opportunity.

--

ebay.com

Nuevo nero... vamos a probarlo... 6.3.1.10

Nuevo nero... vamos a probarlo... 6.3.1.10

El keygen os puede venir bien...
http://nero6.szm.com/

Y para bajarlo aquí...

http://www.ahead.de/en/nero-prog.php

Para ponerlo en castellano...

http://www.ahead.de/en/sp_file.php?sp_file=esp

My nombre pirata : Iron Roger Rackham

Y el tuyo ?

http://www.fidius.org/quiz/pirate.php

MTV y sus series...

voy a ver si hago un especial comentando las mejores series de la mtv en un post un dia de estos.. pero por ahora... un enlace..

Viva la Bam (Temporada 2)
http://www.vlb.prv.pl/

ya tengo cuenta de Gmail finalmente...

ya tengo cuenta de Gmail finalmente...

Pues eso, que gracias a Estrategia Mental ayer he empezado a darle buen uso mi cuenta de gmail. Gracias Van!

La UE, preocupada por las normas de copyright de música en Internet

Por fin, se preocupan por algo que nos interesa a todos.

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La Comisión Europea ha advertido a sociedades que recaudan derechos de autor en nombre de los músicos de que pueden estar quebrando reglas de competencia al ampliar sus monopolios nacionales al mundo de Internet.

Lunes, 3 mayo 2004
IBLNEWS, AGENCIAS
"La Comisión Europea ha advertido a 16 organizaciones que perciben derechos de autor en nombre de autores de obras musicales de que su llamado acuerdo de Santiago viola potencialmente las normas de competencia de la UE", dijo en un comunicado, informa Reuters.
Señaló que esto se debía a que los acuerdos de licencias cruzadas que las sociedades tenían entre ellas causaban una vinculación efectiva de los territorios nacionales, que ampliaban a Internet los monopolios nacionales que las sociedades han mantenido en el mundo fuera de la Red.

"La Comisión cree que debería haber competencia entre las sociedades que perciben los derechos de autor, porque esto beneficiaría a las compañías que ofrecen música en Internet y a los consumidores que las escuchan".
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http://iblnews.com/news/noticia.php3?id=106732

Nacho Vidal. Confesiones de una estrella del porno

Nacho Vidal. Confesiones de una estrella del porno

Pues si, estoy a ver si me hago con este libro. Unos 17€.

....

Hoy, en este país, no hay mayor estrella pop que Nacho Vidal. Ustedes dirán que se dedica al cine porno, que es indecente glorificar a este semental de veinticinco centímetros (eso se dice: el único dato fiable con el que cuenta Nacho sobre su instrumento es que ‘no me cabe en un vaso de cubata’) como uno de los referentes de la cultura de base del país, pero miren: Nacho Vidal está en la cumbre de algo y lo va a estar más el año que viene. De hecho, la industria del porno mueve millones, y aunque nadie de los que estamos aquí somos usuarios / compradores / clientes / fans del género (y quien lo sea, que levante la mano), y por tanto debe ser considerada un campo de industria cultural (sólo a partir de los dieciocho años, por favor) a un nivel de igualdad a la del cine convencional, la música pop o los toros. Y ojo que decimos industria cultural, que no cultura, que sobre eso ya se tendría que debatir de otro modo. En cualquier caso, el catalán Nacho Vidal es el número uno, es el actor porno más popular del momento, con permiso de su maestro Rocco Siffredi, y esta su primera biografía es un acercamiento lúdico hacia su figura. David Barba, periodista especializado en teatro y colaborador de La Vanguardia, ha estado siguiendo a Nacho Vidal durante meses en sus rodajes, en su vida privada, le ha entrevistado a fondo, así como a gente de su entorno y su familia, y ha escrito, con algunas prisas pero con bastante gracia, una biografía benévola que por momentos parece una hagiografía (vidas de santos) pero que también da una perspectiva humana de alguien de quien apenas sabemos que ha hecho el amor con más de 4.000 mujeres y que es el hombre más poderoso de la industria del porno en estos momentos, además de un innovador (eso dicen) en géneros como el gonzo y demás. Pero para detalles guarros, se leen el libro, que anda plagado. Sin duda, el actor favorito de Cristian Varela.
...

CNBC Radio

http://www.cbcradio3.com/issues/2004_04_30/index.cfm

Buscar 6 de Mayo, Snooze Shots, buenisimo..

Razor 1911, detenciones y carcel...

Razor 1911, detenciones y carcel...

A court in California has handed down a hefty jail sentence to a man who is described as one of the leaders of infamous game piracy group Razor1911, which was one of the best-known online providers of cracked game software. Sean Michael Breen, 38, pleaded guilty to charges of copyright infringement and mail fraud, and was given a 50 month sentence along with three years of supervised release.

His sentence is reported to be toughest yet handed down to any member of the "warez" scene, which was targeted by the US Customs Service in a 14-month undercover investigation which has so far yielded 40 arrests worldwide.

As well as being involved in the game piracy and distribution network, Breen was also convicted of defrauding network equipment provider Cisco Systems of hundreds of thousands of dollars worth of hardware, and ordered to pay restitution of almost $700,000.

The Razor1911 group, which has been in operation since the early nineties, is one of several large organised teams of crackers and distributors on the Internet who compete to be the first to release working pirate copies of major game titles.

Although these groups do not work for profit - but rather for recognition and "kudos" within the pirate and cracker communities - their actions are hugely damaging to software companies, who often see important titles being made available in pirate form on the Internet days or weeks ahead of their retail release dates.

The King of Fighters 2002

The King of Fighters 2002

SNK Playmore no quiere perder el tiempo, y mientras seguidores de todo el mundo ya disfrutan con "The King of Fighters 2003" (debido a un ligero descuido), ellos trabajan en la conversión del anterior episodio para Playstation 2. Si bien ha pasado un buen tiempo desde su lanzamiento original en arcades, el juego todavía mantiene su feeling, siendo una compra muy recomendada si queremos disfrutar con la penúltima edición de "KOF".

Para atraer a los usuarios, el producto incluirá una nueva portada (con una ilustración particular), y escenarios diseñados totalmente en 3D, como ya se ha visto en otros juegos de lucha 2D desarrollados por Capcom. Por desgracia, su salida en Europa se torna complicada, por lo que deberemos echarle el guante a través de la importación, o esperar a que alguna distribuidora avispada se decida a traerlo.

"The King of Fighters 2002" llegará a las tiendas japonesas el día 25 de marzo.

ps: Disponible en Torrent y Emule unos 200 y pico megas, merece la pena mucho mejor que el combo raro ese del 2000 y 2001 que salio en usa.

Los DVDs, los extras y las ediciones de colección

04/14 - 5:30 PM:
Reissues, re-releases, and new treatments: The skinny on the home entertainment phenomenon of releasing multiple versions of the same movie.

In the relatively long history of home video we have all seen studios releasing a particular movie, then, some time later, either putting it back into the vault or releasing an enhanced version. Disney quickly became the master at this with their 'once in a generation' releases of their classic animated films. But they're certainly not the only studio who does this. Star Wars fans, for example, surely have multiple copies of the Holy Trilogy on VHS and/or laserdisc. Sometimes just the packaging was changed, yet more often some little goodie was added or the film was remastered.

The laserdisc market proved especially attractive for the studios. Put out a basic set, then return a few years later with a deluxe treatment. This simple practice serves two particular purposes: 1) fans who care only for the movie are satisfied with a basic release and 2) die-hard fans who crave every possible bit of information found on the special edition release. It was inevitable that this practice would be ported over to the DVD format. Now, in it's seventh year of existence, there is a growing shift in the industry. For those movies that were released in the early days, sufficient time has passed to revisit the properties -- and every studio is doing it. Artisan, Buena Vista, Columbia/Tristar, Fox, MGM, Universal, and all of the Time-Warner companies have started to cash in as the bulk of their high-profile titles have already been released (at least once). This is nothing new and, thankfully, won't go away. I am a firm believer that this is a good practice.

Another trend we're starting to see more frequently is the act of releasing regular and special edition discs at the same time. Although not new, it's far more commonplace than it was a few years ago. New Line has just released two versions of Texas Chainsaw Massacre (2003) and Fox is about to release two versions of Master and Commander. Doing this eliminates the long wait between the basic release and the deluxe release, but there is a downside -- several actually. A major contributing factor in a studios decision to put out two versions at once (not including multiple aspect ratio releases) is the demand from rental chains, who still carry significant weight in the business. It's far more cost effective for them to stock single-disc sets. The price per unit is lower, there's less chance of damage (since there is only one disc as opposed to two), and the inventory takes up less space. Being that rentals account for a large percentage of total sales, this could eventually become a danger to those who crave bonus content galore. I'm not saying this is much of an issue now, but it could be down the road.

Another problem, which the industry has been facing for years, is that of consumer confusion. Take a trip down to your local store and you're bound to see hundreds of DVD's with multiple versions -- not only movie-only and special edition, but also full frame and in the case of CTHE, Superbit. It's not uncommon for there to be three or more versions of a single movie and most stores are not particularly well organized so they're stacked next to each other. For the average consumer, this can lead to confusion and frustration. Granted, consumer awareness is far greater now than it was before the turn of the century. Studios are adverting more, retail employees know more (although this is a highly debatable matter), and consumers have become accustomed to several treatments. That covers the pros and cons of releasing movie-only and special edition versions at the same time.

Now the fun begins -- the art (or illusion) of limited editions. This has become the most maligned moniker in the home entertainment industry. Various acts have virtually destroyed its meaning. Speaking directly in regards to the discs, and not any special packaging or items coming with a set, "limited" really doesn't exist. It's a marketing tool to encourage consumers to rush out and buy something before it's too late. I've picked on them before, and I'm about to pick on them again: Anchor Bay has been the worst culprit in this, and has annoyed fans for years with their reissues of movies like Army of Darkness and Halloween. Version A -- a two-disc set -- is limited to 30,000 copies. Then, they release Version B, consisting of the first disc from the previous "limited" set, and Version C, made up of the second disc from the last release...and both in non-limited form. In the end, people who bought Version A have something that's collectible simply because both discs come together. Some may say this is acceptable because of that fact. Many, this DVD-enthusiast included, disagree. Let's look at another disc I enjoy picking on: Saving Private Ryan from DreamWorks. This amazing film was released on DVD in November of 1999 as a Special Limited Edition. It has been an active title ever since. Hmmmm...it's not very limited now is it? And now DreamWorks is going back and putting out an even more "special" version. These examples, and there are many more, are what have ruined the limited edition name.

Not all limited releases have been negative. Fox made it quite clear right from the moment it was announced that From Hell: Directors' Limited Edition wouldn't be around long -- and it wasn't. Disney has also kept to their word with both their original Limited Edition DVD's of animated films as well as their coveted Platinum Edition's. Then there are the Walt Disney Treasures releases, which brings us to another brilliant marketing ploy: collectable limited edition packaging. Studios understand that anything limited will catch someone's attention, but if they can actually see it before they buy it, there's an even greater chance consumers will snap them up. Artisan has implemented this countless times -- the metal sleeves with T2: Ultimate Edition and Rambo, the round tin with Total Recall, and so on. Universal has put this to great use recently with the stunning Cylon packaging for Battlestar Galactica, and several of their pending releases (like Northern Exposure). A point to make very clear...limited edition packaging does not mean, in any way, that the contents held within are limited. Some people may assume this, but it's not. Disney's Treasures limited edition tins are only limited so far as to the packaging. The discs will (and already are) being re-released. I like special packaging, but no one should ever take it to mean the actual DVD's going to disappear...at least not right away.

That covers all the major bases. There is one very important thing to realize with the home entertainment market -- nothing is limited and everything will see the light of day again, in some form or another. Having previously mentioned the Ultimate Edition of T2, let's use this as an example. Last year, Artisan released another version. Having already created something that truly can be called "ultimate" the newest treatment is under the heading of Extreme Edition. Is "extreme" better than "ultimate?" A mild marketing blunder by the folks at Artisan. They would have been better calling it a compendium release, which is what it is.

I still receive dozens of emails every week from people asking about limited edition discs and/or enhanced treatments. For those who don't already know, you can keep an eye on our DVD Watch section for a listing of all discs that already have regular and special edition treatments, and those that are coming. The reality is that there will never, ever, be an optimal and final version of any DVD (music, movie, TV, etc.). Studios are always looking at ways to make money and one of the simplest solutions is to raid the catalogue of films. If a basic release, or modest special edition sells well, you can bet some executives will be marking it down to be revisited in the future.

One of the most frequent questions I'm asked is whether or not someone should buy the current release for (insert the title of your choice) now, or wait for the next version. True, the next version will probably be better in some ways -- although it could also be lacking in certain departments...there are, after all, no guarantees. The single most important reason to buy any DVD is for the feature program or episodes. Bonus material is great, no doubt, yet that's icing on the proverbial cake. If you want to own a particular movie in your collection, buy it. Don't worry too much about what the future will hold (unless another version is coming out soon; again keep an eye on DVD Watch for information). You can be sure that any given movie will have multiple versions over time. Just like the plethora of Star Wars tapes most of us have in our collections, we're bound to have multiple copies of certain movies on DVD -- in fact, many of us already several.

Enjoy your DVD experience in the here and now. The future may hold great things, but if you keep looking too far ahead, you'll miss out on all the entertaining and informative wonders currently available.